PELAIRES GALLERY
CARLOS AMORALES. Mexico City, 1970
Disquieting artist, who questions the very nature of normalcy and takes the viewer through spaces which are altered, not only physically and conceptually but also auditively. The idea that transpires in most of his work is the disconnection of normality and what constitutes it.





KEWENIG GALLERY
R.A.PENCK. Dresden, Germany. 1939. Suitzerland, 2017
One of the foremost representatives of German neo-expresionism, his work includes painting, sculpture and found-objects. The language is both simplified and analytic. Famous for his emblematic stick-figures, his work is deceptively complex and psychologically dramatic. Drawing from a primitive vocabulary of signs the work is both archaic and contemporary.





ABAARTLAB
ALEX PROBA. Lüdensceid, Germany. 1984
"Mine Yours Ours Hers/ A Poster a day". Founder of the Studio Proba, she is a professional designer and this is her first exhibition in a comercial gallery in Spain. The present project is a selection of posters created in the last four years which are the result of suffering a mental block. To undo it Proba played around with images, shapes and colour without a specífic idea in mind. Not only did this exercise work but seeing the results she decided on creating a poster daily. She published them in the social media and invited her followers take part, thus transforming the project into a visual record full of the memories and feelings of the people who participated.





MAIOR GALLERY
PEDRO CALÁPEZ. Lisboa, Portugal. 1953
"The ubiquitous límit". He neither explains nor resolves the needs and problems of society. The strength of Calapez’s work lies in the dialog that he establishes between the physical limits of his paintings and the resulting spaces which become part of the work. The Works in this exhibition, are set out as isolated pieces or formal groupings, all of them installations.















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